Carl Plantinga Rhetoric And Representation In Nonfiction Film Pdf

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Cognitive Theory and Documentary Film

Realism and the Audiovisual Media pp Cite as. Hardly an encouraging beginning. It is highly unlikely that a book on culinary arts or mammal physiology would begin like this.

Such statements almost always appear in the opening pages, but more recently they have started to appear at the end, as if we were fated not to know who we are. Unable to display preview. Download preview PDF. Skip to main content. This service is more advanced with JavaScript available.

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Grierson, John , On Documentary. London: Faber and Faber. Rio de Janeiro: Jorge Zahar. MacDougall, David , Transcultural Cinema. Princeton: Princeton University Press. Nichols, Bill , Introduction to Documentary. Bloomington: Indiana University Press.

Plantinga, Carl R. So Paulo: Publifolha, pp. Vaughan, Dai , For Documentary. Berkeley: University of California Press. Personalised recommendations. Cite chapter How to cite? ENW EndNote. Buy options.

Rhetoric and Representation in Nonfiction Film

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Cognitivist analysis should be extended to documentary practices. The directions of research are multiple and prismatic, as this volume amply and convincingly proves. Di Summa, Projections, Vol. Skip to main content Skip to table of contents. Advertisement Hide. This service is more advanced with JavaScript available. Cognitive Theory and Documentary Film.


Cratis Hippocrates, School ofMedia. andJournalism, Queensland University. ofTechnology. Plantinga, Carl R., Rhetoric nnd. Representation in Nonfiction Film​.


Rhetoric and Representation in Nonfiction Film

Rethinking the convergence of doc After all, a commonsense approach may claim that documentary and entertainment are mutually exclusive, at least semantically. How, then, can a serious film form such as the documentary ever be considered entertaining? Another way to gauge the opposition between the two notions would be to consider their obvious social functions: while entertainment is thought to be a form of escapism, a necessary departure from the toils of the harsh world around us, a documentary precisely engages us with that same world. Entertainment would, thus, entail a form of political disempowerment, whereas documentaries would encourage, if not create, political commitment.

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The Journal of Literary Theory is an international forum for debate in literary theory. JLT takes an interdisciplinary approach and is open to a broad variety of theories and methods, promoting their study, research, and development. JLT reflects the diversity of approaches put forward in literary theory.

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RHETORIC AND. REPRESENTATION IN. NONFICTION FILM. CARL R. PLANTINGA. Hollins College. CAMBRIDGE. UNIVERSITY PRESS.


Rhetoric and Representation in Nonfiction film

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Rhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video. Exploring the legitimacy of the distinction between fiction andMoreRhetoric and Representation in Nonfiction Film provides a clear and compelling introduction to the basic theoretical issues that ground any in-depth study of documentary film and video. Exploring the legitimacy of the distinction between fiction and nonfiction, Carl Plantinga characterizes the documentary in a new way. He examines the uses of moving photographic images and recorded sounds in documentary communication, and describes the implications of various structural and stylistic choices. He explores the notion of voice, the overall nature and functions of objectivity, reflexivity and truth-telling.

Rhetoric and Representation in Nonfiction film

Realism and the Audiovisual Media pp Cite as. Hardly an encouraging beginning. It is highly unlikely that a book on culinary arts or mammal physiology would begin like this.

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